| | |  | | Home » Little Broken Hearts | | | | | | | Product Promotions: | | | | | Description: | | 2012 album from the Grammy-winning singer/songwriter, produced by Danger Mouse (aka Brian Burton). Little Broken Hearts is the fascinating next step in the artistic evolution of one of the music world's most consistently intriguing artists. Jones first emerged on the world stage 10 years ago this month with the February 2002 release of Come Away With Me, her self-described "moody little record" that introduced a singular new voice and grew into a global phenomenon, sweeping the 2003 Grammy Awards and signaling a paradigm shift away from the prevailing synthetic pop music of the time. Come Away With Me has just become the #10 best-selling album of the Soundscan era. The album has sold 25 million copies worldwide. | | | Features: | |
• JONES NORAH LITTLE BROKEN HEARTS
| | | Product Details: | | | Audio CD Release Date:
| May 01, 2012 | | Studio:
| Blue Note Records | | Number Of Discs:
| 1 | | Average Customer Rating:
|  based on 287 reviews |
| | | Track Listing: | | | 1. | Good Morning | | 2. | Say Goodbye | | 3. | Little Broken Hearts | | 4. | She's 22 | | 5. | Take It Back | | 6. | After The Fall | | 7. | 4 Broken Hearts | | 8. | Travelin' On | | 9. | Out On The Road | | 10. | Happy Pills | | 11. | Miriam | | 12. | All A Dream | |
| | | Customer Reviews: | |
Average Customer Review:
 ( 287 customer reviews )
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Most Helpful Customer Reviews
47 of 50 found the following review helpful:
Not "Rome II", but doesn't need to be (CD review)May 04, 2012
By A customer
For fans wanting more from last year's Rome, which was an interesting soundtrack concept album for a fictitious 1970's-era Italian movie (honest!), by Danger Mouse, Daniele Luppi, and Norah Jones, this ain't it. There are a few stylistic teases, and the collaboration partially returns with Danger Mouse's co-writing. But "Broken Hearts" comes across first and foremost as a Norah Jones album, and you get the sense she has now had her break out debut, played the field while sowing her musical oats, and is settling into a style she wants to define rather than the other way around.
This is a solid atmospheric effort that has grown on me. It is not straight up chill by any means, but many of the tracks can put you in a mellow groove as long as you listen to the music more than the lyrics (if "Broken Hearts" is a soundtrack about anything, it is for the story of a relationship's very bad end). Overall has a very vintage sound, but not an outdated one. I wish I had bought it on a LP as opposed to CD, I sometimes got the feeling it may have been mixed more with vinyl in mind.
Other reviewers may be giving the album knocks for not having super stand out tracks, and I agree, I don't see a lot of big hits coming off of this. But I'd still have to say this is her most complete package to date, even though many of the songs are short and you can listen through the entire CD rather quickly. "Out on the Road" and "She's 22" are the only songs I think I'll skip entirely, but it's interesting to wonder what double meaning might exist when she sings on one "I'm holding on to a thing that's wrong...but you like my songs and made me happy". She doesn't sound too happy on "Miriam", a beautifully melodic but lyrically vicious little song that will make you question whether that is a tear drop or a drop of blood on the front cover.
Any detractions based on a comparison to "Rome" would be unfair for a couple of reasons. One, although many may have wanted a "Rome II" with more Norah on it (I know I did), I don't think now that is what she set off to do despite me being fooled by the Italian movie inspired cover and Danger Mouse co-credits. But secondly, "Rome" was really more Luppi's baby than anyone elses. Until Norah decides to pair with him in the future (hint hint), probably the closest we will get would be the more funky, less chill instrumental version in An Italian Story (US Release). She does throw in enough film-noir inspired riffs here and there, and "Take it Back" sounds very similar to Rome's "Black" in parts (her favorite song from that album).
Musicianship is solid, her voice is great as always, and any production being done is for style and not a cover up ("Say Goodbye" for example is reminiscent of The Mating Game). While I don't think "Broken Hearts" will be a breakup album for her current fans, the lyrics do make it sound like she is ready to move on from some people she is no longer interested in trying to please.
In the end I think there is enough here for her traditional audience to like while she attempts to build a new one. Interestingly, or just coincidence, is that she released the album on May 1st (May-Day). A jilted lover's desperate last call for help, or a celebration of the spring festival of new beginings?
In eco-friendly packaging, contains a fold out poster with a picture of the album cover on one side and the lyrics on the other.
47 of 57 found the following review helpful:
Different Style - Change is hard for some folksMay 02, 2012
By davidR
I thought it was a good album and enjoyed most of her tracks. Something different Norah chose to do and I tip my hat to her. Has a vintage sound to it especially on her vocals and the overall ambiance of the record. I think if you are a Norah Jones fan and don't restrain Artists to a limited little box you will enjoy it as well. Grows on you. Give it a chance..
9 of 9 found the following review helpful:
 FINALLY! The album I have been waitng for from this beautiful soul.Sep 26, 2012
By Georgio Alfani
Norah Jones new album is an utter masterpiece to me. It is what "Rubber Soul" was to the Beatles; a complete change up in musical direction for the better. I've always respected Norah for her talent and unique voice but I could never find myself being deeply devoted to her albums until I heard this masterpiece. While I enjoyed her first two albums, the farthest I could ever go as far as listening to them is to just check her out occasionally. This is due to the slow tempo of her early work. In other words, I can't see myself listening to Norah Jones on my way to work or as i go on my daily jog because her music was too slow for me. The only time i could listen to her is when I was reading my morning paper and having my coffee in the morning. Before this album came out I always said to myself, "One day this girl has to make an album that rocks." Finally! It has come.
I came about hearing this new material when I was at the the Outside Lands Festival in San Francisco 2012. I went to see Norah perform telling myself, "I'll listen to 4 songs and then go to another show because I know she tends to be a little mellow." Mind you, Metallica and Stevie Wonder were also performing and they were more of the energy I was looking for but when I went to see Norah...SHE COMPLETELY ROCKED THE HOUSE!!!
First she started off her show with the classics from her first two albums then she declared, "We're going to perform some songs from my new album...produced by Danger Mouse." I thought to myself, "Danger Mouse? That guy is an amazing producer and one of the last good hip-hop artist around (contemporary hip-hop is a disgrace to music and poetry). Loved his album with MF DOOM. Can it be? Is Norah going to rock the house?" She opened up the new set with "Say Good Bye" and I was completely rocked out of this world. I was so moved by the music that I wrote down the lyrics to "Broken Little Hearts" and told myself I had to check this new album out.
I told everybody how amazed I was with Norah's new stuff and that it sounded like I was listening to The Doors but with Norah's voice. I was completely breath taken by her new stuff. When I went online to check out the new album I purchased it immediately. She finally did it. She made an album for my kind of crowd. I always respected Norah for her voice but like I said I couldn't get into her like I wanted to because I needed something with more rhythm and edge. I love jazz but I'm not into country so I couldn't get into the albums when she delved into the country side of things but "Broken Little Hearts" is revolutionary in my eyes. It shows her range as an artist and has made me revisit her earlier work with more appreciation. It an industry that is plagued by hacks like Lil' Wayne and Britney Spears "Little Broken Hearts" is a breathe of fresh air and I love it. It sounds so surreal and as stated before reminds me of the Doors but with a female spin on things.
My favorite songs are "Say Goodbye, Happy Pills, After the fall, Broken Little Hearts, All a Dream, and Miriam."
Thank you Norah. Thank you for making an album for me and expanding your horizons...I look forward to your next album. You really are a true artist in the spirit of the Beatles, Stevie Wonder, Sade, Michael Jackson etc. etc.
I also recommend her album "Featuring" as well
59 of 80 found the following review helpful:
 Positive elements can't overcome the songwriting's general blandnessMay 01, 2012
By William Merrill
"eclecticist"
(3 & 1/2 stars)
I always enjoy Norah Jones' singing, and I like what producer Danger Mouse, a.k.a. Brian Burton, has done with her sound on Little Broken Hearts. However, only three songs on the album really stand out for me: "Good Morning," "Say Goodbye" and "Out on the Road." The rest of the material has a sort of ho-hum quality that always threatened to move it into the background of whatever I was doing as I listened. Still, Burton deserves credit for an excellently produced album. He added little subtle bells and whistles that spice up the sound, plus some equally artful adjustments to the vocals (a hint of reverb here, a smidge of double-tracking there). The musicianship is also quite good throughout, including Ms Jones' own work on keys and guitar. Ultimately, though, what undermined my pleasure with Little Broken Hearts was that so many of the songs, all co-written by Jones & Burton, are completely unmemorable. Perhaps Norah is suffering a bit from "Ryan Adams Over-Productivity Syndrome." Maybe with all of her side projects (Little Willies, the Rome album, her acting), the focus on her own solo work was diluted. Whatever the reason, this new album is very nice-sounding but otherwise undistinguished.
4 of 4 found the following review helpful:
 Disappointing!Nov 16, 2012
By Mia
"Who Digs Movies and Music"
I like Norah Jones. A lot. This album was crushingly disappointing. Severely over-processed tracks over-ride her really stellar voice. I couldn't get my teeth into any song except the ninth track and that's because it had a beat.
I'm glad I listened to it before buying it.
She really doesn't need all the background crud to get a message across. the music got totally in the way.
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